دلالة اللون في ديوان أبي طالب (رضوان الله تعالى عليه)
This research aims at addressing the colour in Abu Talib’s poems collections relying on the close connection and argumentative relation between poetry and other arts. This research focuses on the clear directive colour, excluding the implicit colour (indirect) because of its broadness and abundance. This research has shown the importance of used directive colour which conveyed by AbuTalib and its effectiveness on poetic context and its technically used to show its aesthetics in it. This will certainly lead us to colour existence in his Abu Talib poems collection was not arbitrary because the colour has a linguistic code and a special qualitative form. The colour practices its hoppy in producing meaning game. In addition, the contextual colour in prose and poetry contexts is considered as creative line which has a highly performative class as it carries the duty of performing the literature message and achieve the seeking target of the context. As a result of this, we can notice the importance of this research in recognizing the semiotic concept of coloured picture in Abu Talib poems collections. This will contribute to form an optical awareness and cultural knowledge about the language contained by the picture .