Quranic stories and their inclusion in dramatic literature cinema as a sample

Abstract

In fact, Quranic research, no matter how many and varied its aspects, we are every day in need of more and more of those studies that reveal to us, even after a while, a secret from the secrets of the Holy Quran, expressing to us its statement, its splendor, its miraculousness, its sublime meaning and its eloquence.This study included three chapters, the first of which included the research problem, as the researcher wanted to place literary fiction with Quranic fiction within the framework of dramatic literature, which is represented by cinema in a harmonious framework, and this study aimed to:-

To highlight the practical side by absorbing the dramatic literature of the Qur’anic story in the cinema. Either the research method and the study method were based on a summer-analytical approach. The background of the research was based on the study of drama in the Qur’anic text (technical study) a paper submitted to the Damascus University Journal of Economic and Legal Sciences - Volume 25 - First Issue -2009 - by Dr. Imad Al-Din Al-Rasheed - Department of Quran and Hadith Sciences - College of Sharia - Damascus University, he was able here The researcher is to define what drama is and how to apply it in the Qur’anic stories through several models of the stories of the Holy Qur’an. Finally, the first chapter is concluded by defining the terminology. As for the second chapter, it included two sections, the first, the concept of Qur’anic stories and its characteristics, showing that the concept of the story or stories contained in the Holy Qur’an, means revealing the effects of events attributed to people or neglected by them. As for the elements of Qur’anic storytelling, it is exactly as the elements of the literary story, while the second topic To the stories of the Noble Qur’an and include them in the cinematic work. The third chapter came with its procedures that included the research method, where the researcher adopted the descriptive analytical approach, by adopting what was stated in the indicators (Second Chapter), then the unit of analysis, where a fixed unit of analysis was used with clear features, for this the researcher used the dramatic material in the cinema. The study is based on the results, conclusions, recommendations and suggestions reached by the researcher, based on the structure of the chapters.