(Al-Sharif Al-Radhi Hijazyat) A reading in phonetic and synthesis structure

Abstract

The subject of the current study is (Al-Sharif Al-Radhi  Hijazyat) , a reading in phonetic and synthesis structure .It is a reading for a popular poetic art appeared during the Abasian age called (Al-Hijazyat) which are courting poems said by  Al-Sharif Al-Radhi  during pilgrimage seasons. Those poems were related to chastity and purity far away from the physical things. The research was divided into two parts headed by an introduction and a prelude and ended by a conclusion with the most important results of the research. The prelude is with two axes, the first one dealt with (the poet biography while the other one dealt with the concept of Hijazyat  in terms of language and terminology).

The first part of the research (phonetic structure in Al-Sharif Al-Radhi  Hijazyat) dealt with phonetic level structure in two axis. The first one is the (external music structure) which included (weigh and rhyme) while the other one is( the internal music structure)which included(repetition, anaphora, statement, introduction) .The second part of the research (synthesis structure in Al-Sharif Al-Radhi  Hijazyat) dealt with the method dominations with clarifying their meanings by ( omission , advance and delay, condition, command , prevention, inquiry and call), then I concluded the research with the results I reached to where Al-Sharif Al-Radhi employed in the external music structure seven seas of Al-Khalil poetic seas in addition to employing the voiced letters in ring more than the voiceless one . Moreover he used restricted and non-restricted rhymes together to provide his text with a charge of internal tense. With regards to the internal music structure he used the incomplete anaphora more than the complete one in addition to employing creative arts contributed in creating a beautiful tune touch .Moreover the research in the synthesis structure showed that the poet inclined to the creative level more than the ideal level for his own purposes.