مفهوم التواصل في التشكيل النحتي المعاصر

Abstract

The current research consists of several chapters

The first chapter dealt with the problem of research, which ended with the following question: How to achieve communication in contemporary grammar formation?

The importance of the research and the need and the objective of the research, which seeks to reveal the concept of communication in the composition of sculpture, the limits of the temporal search from 2015 to 2018 and the spatial limits were limited to America and then the definition of terminology, the second chapter included the first two areas specialized in communication in modern linguistics The second one was concerned with communication in the contemporary grammar formation and then resulted in the theoretical frame. The third chapter included the research procedures that included the research sample, the research community, the research tool, the analysis method used for analyzing the samples,

1- Communication is of a synthetic nature mixed with the problems of different signs in the framework of a concept based on difference and contrast.

2- The sculptor relied on a simple visual speech to communicate with the receiver away from the complexity of methodological and technical incomprehensible.

3- Use the sculptor forms and simple familiar signs in order to achieve communication.

4-The sculptor adopted aesthetic stylistic rules and interpreted them aesthetic reality and intellectual contemporary to achieve communication with the recipient.

5- The technical work became the link of communication with both the artist and the recipient through internal proposals within the artistic work that is transmitted to the recipient, which in turn shows them through interpretation and thus communicates with the artist through the analysis of the signs inherent in the artwork.

Then Iber conclusions And then proposals, recommendations and sources