الخَيَاْلُ البَصَرِيُ فِي لَوْحَةِ الطَّيْفِ الجاهلية عطش الغياب وحلم الوصال دِرَاْسَةٌ تَحْلِيْلِيَّةٌ

Authors

  • مشتاق طالب منعم, .د جامعة واسط/كلية التربية الأساسية

DOI:

https://doi.org/10.31185/eduj.Vol1.Iss35.828

Keywords:

(الخيال-الخيال البصري- لوحة الطيف)

Abstract

The vision portrait of Al-Jahili poetry is one of the important portraits that the poet has adopted to include his poems since it has a great importance to whether the structure of the poem or to the poem’s subject. It is deemed as a means of relieving of the self who is suffered from deprivation on one hand, and it is also reflected a means of unloaded the suppressed desires because of the community and its traditional customs which has created and associated with his beloved on the other hand.

The poet is tried to close the distances, separate boundaries, and to overcome the social customs and traditions, which are made between him and his beloved, via his imagination unleashing. He is contested in a large and a big sphere. Also He is lived with pleasure and victory throughout his daydreams and its consequences of the repercussions which the poet has lived, in the imagination of himself, via the struggle of the enjoyment and the pain, the rhapsody and the deprivation, and the attendance body and the absence body, etc. Thus, the poet is consequently lived with enjoyment and then triumphed the social norms and traditions via the truth of reality and the imaginary intercourse, to produce a distinctive portrait at the artistic and objective dimensions.

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Published

2019-07-14

Issue

Section

Articles

How to Cite

طالب منعم م. (2019). الخَيَاْلُ البَصَرِيُ فِي لَوْحَةِ الطَّيْفِ الجاهلية عطش الغياب وحلم الوصال دِرَاْسَةٌ تَحْلِيْلِيَّةٌ. Journal of College of Education, 1(35), 103-124. https://doi.org/10.31185/eduj.Vol1.Iss35.828