the symbolism of the sufi invocation

Authors

  • هالة معين صبري الخفاجي جامعة الفرات الأوسط / المعهد التقني – كربلاء
  • أ.د. إسماعيل حمادي خلباص

DOI:

https://doi.org/10.31185/eduj.Vol51.Iss1.3562

Abstract

The poetic images of the monologue are numerous, they are between symbolic images of women, hooch and nature taken by sufism as a way to access its subject, the vague expressions and their symbols and ideas around the age-old  world are all special ways unique to the Sufi, as it was alluded and philosophy were the most significant data, the significance of the images exceed the virtual literal significance, the word hooch exceed beyond its significance which indicates malice to a positive indication that refers to serenity, huge awesome rush and affective mixing, as well as the symbol of women and nature, the meanings are encapsulated in the masks of symbols, These masks are penetrated only by the culture of Sufi. The symbol of women is an element of poetic inspiration elements, in which they expressed divine beauty, and because the specificity of the Sufi experience, the Sufi poet was inspired by these symbols and then one of the elements of the latency of the Sufi poem, They expressed the divine self with the names of different females, all of which is an objective equation for expressing its explanation. The expression has tended from appearance (dzāhir) to the mystery (bāTin), which is convulsive starting point with the use of the formulas of feminist discourse using separate and related pronouns, and have formed The symbol of hooch at Sufism was a recognition symbol, because if it showing him his, it missed from the feeling and shaved in her spiritual airspace, it is a spiritual hooch that clarify the eye of insight, transports the Sufi to spiritual worlds, and taken up from the symbol of nature as a formula for divine self-expression, Like a spinning, the sun, the moon, with mix them with the connotations of the present addressed to confer on the monologue a special emotional airspace.

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References

- ديوان ابن الفارض ، شرحه وقدم له مهدي محمد ناصر الدين ، دار الكتب العلمية ، بيروت ، لبنان ، ، ط1 1410هـ ، 1990 م : 35 .

- ديوان ابن الفارض : 89 .

- ديوان التلمساني ، ج1 ، دراسة وتحقيق يوسف زيدان ، دار الشروق ، د . ط ، د . ت : 127 .

- ديوان التلمساني : 183 .

- ديوان التلمساني : 193 ، 194 .

- ديوان ابن الفارض : 106 .

- ديوان ابن الفارض : 177 .

- ديوان التلمساني : 77 ، 78 .

- ديوان التلمساني : 85 ، 86 .

- الرمز الصوفي : 66 .

- ديوان التلمساني : 216 .

- ديوان ابن الفارض : 242 .

- ديوان ابن الفارض : 117 ، الرشا : الغزال ، البذاذ : السيء المظهر ، النفائس : الأشياء الثمينة ، م . ن : 117 .

- ديوان ابن عربي : 7 . الغلالة : ما يلبس تحت الثوب ، السندس : الديباج الرقيق ، الكُنس : النجوم الخمسة السيارة ، ينظر : م . ن : 7 .

- م . ن : 15 .

- ديوان ابن عربي : 24 .

- ديوان التلمساني : 106 ، 107 ، 108 .

- م .ن : 84 ، 85 ، 86 .

- ديوان التلمساني : 86 ، 87 .

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Published

2023-05-29

How to Cite

الخفاجي ه. م. ص., & أ.د. إسماعيل حمادي خلباص. (2023). the symbolism of the sufi invocation. Journal of College of Education, 51(1), 147-162. https://doi.org/10.31185/eduj.Vol51.Iss1.3562